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THE BIRD OF POPULAR SONG
IT is winter-time. The earth wears a snowy garment, and
looks like marble hewn out of the rock; the air is bright and
clear; the wind is sharp as a well-tempered sword, and the
trees stand like branches of white coral or blooming almond
twigs, and here it is keen as on the lofty Alps.
The night is splendid in the gleam of the Northern Lights,
and in the glitter of innumerable twinkling stars.
But we sit in the warm room, by the hot stove, and talk
about the old times. And we listen to this story:
By the open sea was a giant's grave; and on the
grave-mound sat at midnight the spirit of the buried hero, who
had been a king. The golden circlet gleamed on his brow, his
hair fluttered in the wind, and he was clad in steel and iron.
He bent his head mournfully, and sighed in deep sorrow, as an
unquiet spirit might sigh.
And a ship came sailing by. Presently the sailors lowered
the anchor and landed. Among them was a singer, and he
approached the royal spirit, and said,
"Why mournest thou, and wherefore dost thou suffer thus?"
And the dead man answered,
"No one has sung the deeds of my life; they are dead and
forgotten. Song doth not carry them forth over the lands, nor
into the hearts of men; therefore I have no rest and no
peace."
And he spoke of his works, and of his warlike deeds, which
his contemporaries had known, but which had not been sung,
because there was no singer among his companions.
Then the old bard struck the strings of his harp, and sang
of the youthful courage of the hero, of the strength of the
man, and of the greatness of his good deeds. Then the face of
the dead one gleamed like the margin of the cloud in the
moonlight. Gladly and of good courage, the form arose in
splendor and in majesty, and vanished like the glancing of the
northern light. Nought was to be seen but the green turfy
mound, with the stones on which no Runic record has been
graven; but at the last sound of the harp there soared over
the hill, as though he had fluttered from the harp, a little
bird, a charming singing-bird, with ringing voice of the
thrush, with the moving voice pathos of the human heart, with
a voice that told of home, like the voice that is heard by the
bird of passage. The singing-bird soared away, over mountain
and valley, over field and wood- he was the Bird of Popular
Song, who never dies.
We hear his song- we hear it now in the room while the
white bees are swarming without, and the storm clutches the
windows. The bird sings not alone the requiem of heroes; he
sings also sweet gentle songs of love, so many and so warm, of
Northern fidelity and truth. He has stories in words and in
tones; he has proverbs and snatches of proverbs; songs which,
like Runes laid under a dead man's tongue, force him to speak;
and thus Popular Song tells of the land of his birth.
In the old heathen days, in the times of the Vikings, the
popular speech was enshrined in the harp of the bard.
In the days of knightly castles, when the strongest fist
held the scales of justice, when only might was right, and a
peasant and a dog were of equal importance, where did the Bird
of Song find shelter and protection? Neither violence nor
stupidity gave him a thought.
But in the gabled window of the knightly castle, the lady
of the castle sat with the parchment roll before her, and
wrote down the old recollections in song and legend, while
near her stood the old woman from the wood, and the travelling
peddler who went wandering through the country. As these told
their tales, there fluttered around them, with twittering and
song, the Bird o
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